Quotes displayed in real-time or delayed by at least 15 minutes. Powered and implemented by FactSet Digital Solutions. Mutual Fund and ETF data provided by Refinitiv Lipper. The Elvis we meet in Priscilla is just about a year out from the grief-stricken one—the one who’d been curled into a defensive ball in his recently deceased mother’s closet—we saw in Elvis.
The two movies aren’t exactly knockouts in the world of horror, but they get the job done for me. The Nun II is actually much better than the original as Taissa Farmiga’s Sister Irene must investigate the return of Valak, the scary looking nun/demon from The Conjuring 2. For some of us, there’s no such thing as too much Elvis; for others, two Elvises within two years are two Elvises too many.
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He’s in the service, stationed in Germany; Priscilla, whose father is an officer in the Air Force, is stuck there too, having been whisked away from her friends back home in Texas. Priscilla is invited to a party at Elvis’ rented house; her parents, after some persuading, allow her to go. Elordi’s Elvis greets her—in her tasteful schoolgirl dress, her hair swept back in a simple ponytail—not in an appraising way but with a sense of wondrous curiosity.
Elordi’s Elvis is a living ghost, the kind you never get over. The love of your life, the messy mistake that wasn’t a mistake at all. It’s too weird to explain my reasoning for which horror free movies I can tolerate, but The Conjuring franchises are on that list — even The Nun series!
A failing pharmaceutical company in Central Florida engages in a criminal conspiracy? (And, a pretty good premise for a movie.) Emily Blunt stars opposite Chris Evans as a high-school dropout who gets herself involved in the deadly drug happenings. Official discussions will be your go-to place for reviews/reactions/discussion of that movie and applies for 4 weeks after the U.S. release date. Anything that isn’t official, hard-lined news about comic book movies/Superhero movies will be removed. No featurettes, fan art, parodies, etc.
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Both Elvis and Priscilla present a vision of Elvis framed by a third party, rather than one viewed directly, with the luxury of omniscience, by the person behind the camera. Luhrmann shapes Elvis’ story through the eyes of Parker, the man who helped make him and did more than his share to break him. And in Priscilla, Elvis, for once, isn’t the center of attention; it’s Priscilla’s experience that matters.
Yet it’s surprising that it has taken until the first quarter of the 21st century for Elvis’ story to shimmer, in any significant way, onto the big screen. In 2022, Austin Butler was the alluring, ever-spinning center of Baz Luhrmann’s kaleidoscope dazzler Elvis. And with her new film Priscilla, Sofia Coppola puts the focus on the woman who became Elvis’ wife, Priscilla Beaulieu, played with extraordinary grace by Cailee Spaeny. Elvis, in this case, is a satellite, a servant to her story, and he’s played by Australian actor Jacob Elordi.
And in these very different characterizations, Butler and Elordi are strangely in tune, chiming together as they seek the truth behind a man who will always be a mystery. Spaeny’s performance, as the schoolgirl who fell for Elvis at 14 and left him at 27, is remarkable; she refuses to present Priscilla as a victim. She and Coppola allow even the very young Priscilla her dignity as a grownup-in-training. At one point, while Priscilla is still a teenager, fully under the sway of Elvis’ charms, her mother suggests she might want to date some nice boys her own age. With a single disdainful glance, Spaeny’s Priscilla shoots that suggestion down like an ace marksman shattering a clay pigeon. She’s made up her mind; this is Elvis we’re talking about.
October 17, 2023 • Sometimes there’s a time and place for a long movie — whether it’s because you’ve got an afternoon off, or you just aren’t in the mood to flip from one entertainment to another. Martin Scorsese’s latest movie Killers of the Flower Moon clocks in at over three hours, so today we’re recommending other great movies over three hours long. Social media users reacted to news that Disney pushed back the premiere of its live-action “Snow White” reboot until 2025, speculating it was due to conservative backlash. You may occasionally receive promotional content from the Los Angeles Times. As part of your account, you’ll receive occasional updates and offers from New York, which you can opt out of anytime. This email will be used to sign into all New York sites.
Even when he’s present, he’s an absence. He speaks in a muted, often indecipherable mumble; it seems less an exaggeration of Elvis’ real speaking voice than a manifestation of his inner uncertainty. To think back on Elordi’s performance is to see a smudge where a person should be, like the subject of a daguerreotype who couldn’t sit still long enough to be captured in focus. That’s because we’re viewing him through Priscilla’s eyes—this Elvis is a dream she walked through, but also a dream she walked with. Though Elvis has been gone now for such a long time, he’s with her forever.
He asks her simple questions, ascertaining her age—and being surprised by it—when she tells him she’s in the ninth grade. A modern appraisal of the Elvis-and-Priscilla meeting might be to automatically assume he was sexually grooming her from the start, but that’s not how Elordi and Spaeny play it. Instead, their meeting is a kind of mutual spell spun of loneliness and dislocation. Elvis is still quivering with sorrow over the loss of his mother. Young Priscilla, smart, open-hearted, possessed of nascent wisdom that will eventually serve her well, warms to him—not just because he’s Elvis, but also because he’s a creature in need. Filter by genre, release year, or streaming service.